Enterprise Failed And How It Nearly Worked
When Enterprise debuted on UPN in 2001 it was with a self assured sense of success. Sure Star Trek was in a bit of a decline after all the misfires of Voyager, but Enterprise promised to remedy that by taking Gene Roddenberry’s vision in a fresh direction, rewinding the clock back to where the Federation began to rediscover the spirit of adventure and exploration that used to be the hallmarks of an aging franchise now drowning in overwrought techno babble. They were so certain this would work that, at least not until it became clear in cover di marca iphone 5s the third season that it wouldn’t, Enterprise didn’t even bother to put the words Trek in its title. Their audience would find it, support it, and love custodia cover iphone 11 pro it no matter what they called it.
There’s no denying in the wake of the 2009 movie’s success that they had the right idea. Enterprise was supposed to take us back to the beginning of the Federation, before the time of Captain Kirk to the first starship to bear that famous name, in a tumultuous galaxy humans were only beginning to understand. More than that, Enterprise was supposed to be different in style and tone. They wanted a stripped down approach, one that emphasized the strength of human determination instead of the excessive, over reliance on technology previous Trek series had become lost in.
Unfortunately, instead of really embracing that fresh premise Enterprise quickly became a television series at war with itself. The show’s pilot, „Broken Bow“ immediately went to the by then, played out time travel well and set in motion a series of events that would waste what should have been an interesting premise on a half hearted temporal plot that went nowhere. Worse by focusing on time travel as the show primary plot device, they ignored the time period they worked so hard custodia cover huawei p8 lite to set it cover samsung j3 2017 per ragazze in, telling stories that could have been told in any place at any time. Rather than exploring the possibilities of storytelling in the earliest, wild west days of human space exploration Enterprise all too often focused on the same meaningless technobabble that hamstrung Voyager, only it felt even more out of place here in a show that seemed so clearly designed not to be that kind of series at all.
Nothing embodied the show’s dual nature better than its much maligned theme song. Like the series itself, the Enterprise opening credits were meant to signify something fresh, to embody the spirit cover iphone 7 nera of excitement and adventure they hoped to recapture. Casting off the traditional, ship flyby open used by all previous Star Trek incarnations, Enterprise created a visual history lesson which rocketed through the cover per iphone xr apple history of human exploration. Then it ruined that otherwise exciting visual cover samsung galaxy s4 feast custodia cover samsung s7 by setting it to an awkward song about faith custodia iphone 6 rossa sung by a Rod Stewart knockoff, presumably because nothing says exploration and adventure like elevator rock. Later when cover moschino iphone 7 plus they realized everyone hated it, they tried to fix it by speeding up the tempo. Like setting a Michael Bolton song to a Bossanova beat cranked out of a Casio, this made something bad even worse.
None of those missed opportunities were a bigger problem than the show’s captain who started out as something interesting and, thanks to the series’ insistence on ignoring anything that might be worth watching, turned into a bore. Archer was played by Scott Bakula, an actor best known for his „aw shucks“ persona, and the character he played reflected that . The thing about Captain Archer is that he’s not very good at his job. He’s the first Star Trek captain who seems to have absolutely no idea what he’s doing. It makes cover homer iphone 6 sense, he’s the first to be out there doing it. Starfleet had no way to know what kind of man they’d need sitting in their first Warp 5 ship’s captain’s chair. In Jonathan Archer, they picked wrong.
The Archer Enterprise introduced us to initially was careless and sloppy. He fraternizes with the crew and treats his mission like he’s on some sort of galactic pleasure cruise. He’s not a bad guy or even a bad officer, he’s just not very well suited to being a starship commander. When things start to go wrong, he pouts. When things don’t go as planned, he complains that aliens are mean. As the missions get tougher he iphone 4s wallet cover gets increasingly unhappy, miserable, even morose. He starts to scowl, yells at his crew, begins holding grudges, shooting first and asking questions later. Enterprise responds by glossing over his mistakes and telling us how great he is. His attitude didn’t matter, his mistakes didn’t really amount to anything, and his decisions were rendered irrelevant as Enterprise charted a course which forced him to go right when he cover samsung j4 should have gone left. They could have made an entire series out of watching Archer struggle with his failures but instead they kept pushing the character into Captain Kirk’s cookie cutter mold. Archer isn’t Captain Kirk. He likes water polo. He spends his off duty hours hugging a Beagle. He’s more comfortable talking about warp theory than negotiating negozio cover milano centro with hostile aliens or making sweet love to green women. Enterprise ignored this and kept crafting Archer as something he never was and that Scott Bakula was never capable of playing.
It wasn’t a bad idea to have a Vulcan on Enterprise. After all this is a Star Trek set in the very earliest days of the humanity’s journey out into the stars. Vulcans were the first aliens encountered by humanity and would, logically, be one of the few races they’d be well acquainted with during this period. It was, however, a bad idea to make that Vulcan Archer’s first officer. Enterprise is supposed to be, after all, a show about humanity’s first leap out into the stars. Instead it’s a show about humans reaching out into the stars whenever Archer’s on the bridge. When he’s not, it turns into a show about how a Vulcan named T’Pol cover iphone x michael kors told humans what to do on their first attempt to reach out and connect with other species.
It makes even less sense when you consider what Enterprise made out of the Vulcans. Missing were the logical, peace loving aliens we’ve grown to know and love as part of the Trek universe. In their place were a bunch of angry, pointy eared, close minded racists with an addiction to spray tan and a penchant for murder and threats. In the show’s final season there was a last minute, half hearted attempt to reconcile all of this and turn the Vulcans back into creatures best known for their inability to lie but by then it was too little, too late.
Maybe they could have sold the idea of Vulcan fury better if they’d cast an actual actress to play T’Pol, the aforementioned Enterprise first officer. Instead they cast Jolene Blalock. She’s useful whenever you want to photograph a Vulcan panda cover iphone 5 female in her underwear (something the show, wisely, did a lot of) but Blalock’s not much good for anything else. I’d like to think that no one ever actually got around to telling her that Vulcans don’t show their emotions, but the truth is probably that she just can’t act. At all.
Enterprise managed to score great guest stars too. Some of them it wasted. A guest appearance by Scott Bakula’s Quantum Leap companion Dean Stockwell was blown on a generic character unworthy of his talents. Others the show took advantage of, but maybe not enough. Jeffrey Combs’ brilliant performance as the Andorian Commander Shran demanded he be used as a recurring character, but probably should have also prompted them to go a step further and find a way to make him part of the regular cast. Still others they shoehorned into the show over and over again, against all common sense. Temporal Agent Crewman Daniels was the ultimate deus ex machina, a useless character shoved down our throats repeatedly, whenever the series’ needed an excuse to engage in yet another useless, gimmicky, time travel plot.
As it was with almost everything that mattered Enterprise cover iphone 4s ducati never truly took advantage of its better characters. Trip remained generally relegated to the engine room and Phlox was kept locked away in his sickbay chasing the occasional escaped Tyberian bat. Though none of the show’s better characters, like its phobic genius communications officer Hoshi, or the single minded military man Malcolm, ever really got their due their presence frequently resulted in genuine moments which succeeded in spite of the lukewarm episodes being written around them. Trip and miglior custodia batteria iphone 7 Malcolm’s drunken shuttle pod discussion about the perfection of T’Pol’s „bum“ remains one of the series’ best. Trip’s heart wrenching, weepy, hand holding finale to custodia cover samsung note 10 a limp episode which resulted in the death of his daughter was apple cover iphone xs like an emotional punch in the gut that lingered long after the credits were over. A few perfect scenes with the great characters it wasted was the best Enterprise gave us.
With the clock running down and cancellation imminent, in the latter half of its fourth season Enterprise tried to become the show it should have been all along. A sudden interest in exploring the universe it was supposed to be discovering resulted in a flurry of episodes involving the alien races Archer and his crew were meant to befriend in order to pave the way to the Federation we knew from Kirk’s Trek era. The stories they should have been telling for the past four seasons were condensed into a few short episodes and shoved out the door at warp speed, a last ditch effort to win departed fans back.
Enterprise was supposed to be a grand television series about exploration, about the spirit of adventure, about the triumph of the human spirit. Instead it kept getting bogged down in gimmicks, gimmicks which it never needed and gimmicks which its audience had long since grown weary of. The show’s producers, Rick Berman and Brannon Braga, were locked into a formula which told them that they had to have a reason to fire phasers every episode or their audience would stop being interested. Enterprise’s producers never had any faith in Star Trek fans and so it wasn’t custodia iphone 7 plus swarovski long before Star Trek fans lost faith in them. In the process Hollywood lost faith in the entire franchise, sending longtime steward Rick Berman to the unemployment line and Star Trek into the high octane, style over substance hands of JJ Abrams. Thanks to Enterprise, Rodenberry’s vision will never be the same again…